Skip to content
Beauty close-up lit with an octabox, skin texture left intact.

Encargos de belleza y producto2022–2026Case study

Beauty and product: still life, texture and skin

Cosmetics still life and beauty portraiture: controlled light, untouched skin texture and high-end retouching for catalogue and campaign.

Client
Encargos de belleza y producto
Year
2022–2026
Role
Photographer and retoucher
Categories
Photography · Product · Editorial
Tools
Photoshop · Lightroom · Gemini (Nano Banana) · Canva

The project

The brief

This is the block of commissions where the studio is in charge: cosmetics, packaging, small jewellery and beauty portraits. There is no luck and no decisive moment here — there is a lighting scheme decided before anything is switched on, and a shot list that gets completed.

For product I work with two narrow strip boxes to define the edge of the packaging, a black flag to keep that edge dark, and focus stacking whenever the label has to hold up at 100%. For beauty, a 90 cm octabox at 45° with a silver reflector, and one non-negotiable rule in post: correction is done by dodging and burning, never by blurring skin. The pores stay.

Retouching is half the commission, which is why I do it myself. Cleanup, rebuilt highlights, density, split-toning and output grain. When a brief calls for a context that does not exist — a set, a surface, light from another hour — I build it with AI on top of the real shot, and I say so.

My contribution

  • I design the lighting scheme before the shoot and hand it over in writing along with the shot list.
  • I shoot product with focus stacking and a black flag so the edge of the packaging reads clean.
  • I light beauty with a 90 cm octabox and a silver reflector, metering so the result repeats across sessions.
  • I retouch by dodging and burning — no frequency separation, no skin blur: the texture stays whole.
  • I rebuild highlights and clean packaging surfaces without turning the material to plastic.
  • I build the context a shoot cannot provide with AI, always on top of the real frame and disclosed on delivery.
High-key beauty portrait with a defined highlight on the lower lip.
Cosmetics still life on acrylic with a controlled specular reflection.
RAW. The same beauty portrait before and after the skin, light and colour retouch.

RAW

Retouched. The same beauty portrait before and after the skin, light and colour retouch.

Retouched

It is all density and colour work. Zoom to 100% and the pores are still there.

Skin retouched well goes unnoticed. Skin that has been blurred always shows — and it shows most in print.

Patricia Fenutria · nota de proceso

Impact

The results

  • 16-bitWorking depth throughout the retouch
  • 10+ yearsWorking with images, from the photography diploma to high-end retouching
Back to work
Private-label packaging on a sand backdrop, hard side light and a long shadow.

Up next

On to From the factory floor to the Amazon listing

Next project

Contact

Let's talk.

contact@patriciafenutria.com